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Punctuation marks are marks indicating how a piece of written text should be read (silently or aloud) and, consequently, understood.[1] The oldest known examples of punctuation marks were found in the Mesha Stele from the 9th century BC, consisting of points between the words and horizontal strokes between sections.[2] The alphabet-based writing began with no spaces, no capitalization, no vowels (see abjad), and with only a few punctuation marks, as it was mostly aimed at recording business transactions. Only with the Greek playwrights (such as Euripides and Aristophanes) did the ends of sentences begin to be marked to help actors know when to make a pause during performances. Punctuation includes space between words and both obsolete and modern signs.

By the 19th century, grammarians explained the difference between the punctuation marks by means of a hierarchy that ascribed different weight to them.[3] Six marks, proposed in 1966 by the French author Hervé Bazin, could be seen as predecessors of emoticons and emojis.[4]

Sometimes, the meaning of a text can be changed substantially by using different punctuation, such as in "woman, without her man, is nothing" (emphasizing the importance of men to women), contrasted with "woman: without her, man is nothing" (emphasizing the importance of women to men).[5] Similar changes in meaning can be achieved in spoken forms of most languages by using elements of speech such as suprasegmentals. The rules of punctuation vary with the language, location, register, and time. In online chat and text messages, punctuation is used tachygraphically, especially among younger users.

History#edit

Western antiquity#edit

During antiquity, most scribes in the West wrote in scriptio continua, i.e., without punctuation delimiting word boundaries. Around the 5th century BC, the Greeks began using punctuation consisting of vertically arranged dots—usually a dicolon or tricolon—as an aid in the oral delivery of texts. After 200 BC, Greek scribes adopted the théseis system invented by Aristophanes of Byzantium, where a single dot called a punctus was placed at one of several heights to denote rhetorical divisions in speech:

  • hypostigmḗ – a low punctus on the baseline to mark off a komma (a unit smaller than a clause)
  • stigmḕ mésē – a punctus at midheight to mark off a clause (kōlon)
  • stigmḕ teleía – a high punctus to mark off a sentence (periodos)[6]

In addition, the Greeks used the paragraphos (or gamma) to mark the beginning of sentences, marginal diples to mark quotations, and a koronis to indicate the end of major sections.

During the 1st century BC, Romans also made occasional use of symbols to indicate pauses, but by the 4th century AD the Greek théseis—called distinctiones in Latin[7]—prevailed, as reported by Aelius Donatus and Isidore of Seville (7th century). Latin texts were sometimes laid out per capitula, where each sentence was placed on its own line. Diples were used, but by the late period, these often degenerated into comma-shaped marks.

Medieval#edit

Punctuation developed dramatically when large numbers of copies of the Bible started to be produced. These were designed to be read aloud, so the copyists began to introduce a range of marks to aid the reader, including indentation, various punctuation marks (diple, paragraphos, simplex ductus), and an early version of initial capitals (litterae notabiliores). Jerome and his colleagues, who translated the Bible into Latin, the Vulgate (c. AD 400), employed a layout system based on established practices for teaching the speeches of Demosthenes and Cicero. Under his layout per cola et commata every sense-unit was indented and given its own line. This layout was solely used for biblical manuscripts during the 5th–9th centuries, but was abandoned in favor of punctuation.

In the 7th–8th centuries Irish and Anglo-Saxon scribes, whose native languages were not derived from Latin, added more visual cues to render texts more intelligible. Irish scribes introduced the practice of word separation.[8] Likewise, insular scribes adopted the distinctiones system while adapting it for minuscule script (so as to be more prominent) by using not differing height but rather a differing number of marks – aligned horizontally (or sometimes triangularly) – to signify a pause's duration: one mark for a minor pause, two for a medium one, and three for a major one. Most common were the punctus, a comma-shaped mark, and the comma positura, a 7-shaped mark (⁊, usually called the "Tironian et", equivalent to a modern ampersand),[9] often used in combination. The same marks could be used in the margin to mark off quotations.

In the late 8th century, a different system emerged in France under the Carolingian dynasty. Originally indicating how the voice should be modulated when chanting the liturgy, the positurae migrated into any text meant to be read aloud, and then to all manuscripts. Positurae first reached England in the late 10th century, probably during the Benedictine reform movement, but was not adopted until after the Norman conquest. The original positurae were the punctus, marking a minor pause within the sentence, punctus elevatus, marking a major pause within the sentence, punctus versus, marking the end of a declarative sentence, and punctus interrogativus, marking the end of an interrogative sentence. A fifth symbol, the punctus flexus was added in the 10th century to indicate a pause of a value between the punctus and punctus elevatus. In the late 11th/early 12th century, the punctus versus disappeared and was taken over by the simple punctus (now with two distinct values).[10][11]

The late Middle Ages saw the addition of the virgula suspensiva (slash or slash with a midpoint dot), which was often used in conjunction with the punctus for different types of pauses. Direct quotations were marked with marginal diples, as in Antiquity, but from at least the 12th century, scribes also began entering diples (sometimes double) within the column of text.

Medieval China#edit

Punctuation marks, especially spacing, were not needed in logographic or syllabic (such as Chinese and Mayan script) texts because disambiguation and emphasis could be communicated by employing a separate written form distinct from the spoken form of the language.[citation needed] Ancient Chinese classical texts were transmitted without punctuation. However, many Warring States period bamboo texts contain the symbols ⟨└⟩ and ⟨▄⟩ indicating the end of a chapter and full stop, respectively.[12] By the Song dynasty, the addition of punctuation to texts by scholars to aid comprehension became common.[13]

Printing-press era#edit

The amount of printed material and its readership began to increase after the invention of moveable type in Europe in the 1450s. Martin Luther's German Bible translation was one of the first mass-printed works; he used only virgule, full stop, and less than one percent question marks as punctuation. The focus of punctuation still was rhetorical, to aid reading aloud.[14] As explained by writer and editor Lynne Truss, "The rise of printing in the 14th and 15th centuries meant that a standard system of punctuation was urgently required."[15] Printed books, whose letters were uniform, could be read much more rapidly than manuscripts. Rapid reading, or reading aloud, did not allow time to analyze sentence structures. This increased speed led to the greater use and finally standardization of punctuation, which showed the relationships of words with each other: where one sentence ends and another begins, for example.

The introduction of a standard system of punctuation has also been attributed to the Venetian printers Aldus Manutius and his grandson. They have been credited with popularizing the practice of ending sentences with the colon or full stop (period), inventing the semicolon, making occasional use of parentheses, and creating the modern comma by lowering the virgule. By 1566, Aldus Manutius the Younger was able to state that the main object of punctuation was the clarification of syntax.[16]

By the 19th century, punctuation in the Western world had evolved "to classify the marks hierarchically, in terms of weight".[3] Cecil Hartley's poem identifies their relative values:

The stop point out, with truth, the time of pause
A sentence doth require at ev'ry clause.
At ev'ry comma, stop while one you count;
At semicolon, two is the amount;
A colon doth require the time of three;
The period four, as learned men agree.[17]

The use of punctuation was not standardised until after the invention of printing. According to the 1885 edition of The American Printer, the importance of punctuation was noted in various sayings by children, such as:

Charles the First walked and talked
Half an hour after his head was cut off.

With a semicolon and a comma added, it reads as follows:

Charles the First walked and talked;
Half an hour after, his head was cut off.[18]

In a 19th-century manual of typography, Thomas MacKellar writes:

Shortly after the invention of printing, the necessity of stops or pauses in sentences for the guidance of the reader produced the colon and full point. In the process of time, the comma was added, which was then merely a perpendicular line, proportioned to the body of the letter. These three points were the only ones used until the close of the fifteenth century, when Aldo Manuccio gave a better shape to the comma, and added the semicolon; the comma denoting the shortest pause, the semicolon next, then the colon, and the full point terminating the sentence. The marks of interrogation and admiration were introduced many years later.[19]

Typewriters and electronic communication#edit

The introduction of electrical telegraphy with a limited set of transmission codes[20] and typewriters with a limited set of keys influenced punctuation subtly. For example, curved quotes and apostrophes were all collapsed into two characters (' and "). The hyphen, minus sign, and dashes of various widths have been collapsed into a single character (-), sometimes repeated to represent a long dash. The spaces of different widths available to professional typesetters were generally replaced by a single full-character-width space, with typefaces monospaced. In some cases, a typewriter keyboard did not include an exclamation point (!), which could otherwise be constructed by the overstrike of an apostrophe and a period; the original Morse code did not have an exclamation point.

These simplifications have been carried forward into digital writing, with teleprinters and the ASCII character set essentially supporting the same characters as typewriters. Treatment of whitespace in HTML discouraged the practice (in English prose) of putting two full spaces after a full stop, since a single or double space would appear the same on the screen. (Most style guides now discourage double spaces, and some electronic writing tools, including Wikipedia's software, automatically collapse double spaces to single.) The full traditional set of typesetting tools became available with the advent of desktop publishing and more sophisticated word processors. Despite the widespread adoption of character sets like Unicode that support the punctuation of traditional typesetting, writing forms like text messages tend to use the simplified ASCII style of punctuation, with the addition of new non-text characters like emoji. Informal text speak tends to drop punctuation when not needed, including some ways that would be considered errors in more formal writing.

In the computer era, punctuation characters were recycled for use in programming languages and URLs. Due to its use in email and Twitter handles, the at sign (@) has gone from an obscure character mostly used by sellers of bulk commodities (10 pounds @$2.00 per pound), to a very common character in common use for both technical routing and an abbreviation for "at". The tilde (~), in moveable type only used in combination with vowels, for mechanical reasons ended up as a separate key on mechanical typewriters, and like @ it has been put to completely new uses.

In English#edit

There are two major styles of punctuation in English: British or American. These two styles differ mainly in the way in which they handle quotation marks, particularly in conjunction with other punctuation marks. In British English, punctuation marks such as full stops and commas are placed inside the quotation mark only if they are part of what is being quoted, and placed outside the closing quotation mark if part of the containing sentence. In American English, however, such punctuation is generally placed inside the closing quotation mark regardless. This rule varies for other punctuation marks; for example, American English follows the British English rule when it comes to semicolons, colons, question marks, and exclamation points.[21] The serial comma is used much more often in the United States than in the UK.

Other languages#edit

Other languages of Europe use much the same punctuation as English. The similarity is so strong that the few variations may confuse a native English reader. Quotation marks are particularly variable across European languages. For example, in French and Russian, quotes would appear as: « Je suis fatigué. » (In French, the quotation marks are spaced from the enclosed material; in Russian, they are not.)

In the French of France and Belgium, the marks ⟨:⟩, ⟨;⟩, ⟨?⟩ and ⟨!⟩ are preceded by a thin space. In Canadian French, this is only the case for ⟨:⟩.[22][23]

In Greek, the question mark is written as the English semicolon, while the functions of the colon and semicolon are performed by a raised point ⟨·⟩, known as the ano teleia (άνω τελεία).

In Georgian, three dots ⟨჻⟩ were formerly used as a sentence or paragraph divider. It is still sometimes used in calligraphy.

Spanish and Asturian (both of them Romance languages used in Spain) use an inverted question mark ⟨¿⟩ at the beginning of a question and the normal question mark at the end, as well as an inverted exclamation mark ⟨¡⟩ at the beginning of an exclamation and the normal exclamation mark at the end.[24]

Armenian uses several punctuation marks of its own. The full stop is represented by a colon, and vice versa; the exclamation mark is represented by a diagonal similar to a tilde ⟨~⟩, while the question mark ⟨՞⟩ resembles an unclosed circle placed after the last vowel of the word.

Arabic, Urdu, and Persian—written from right to left—use a reversed question mark: ⟨؟⟩, and a reversed comma: ⟨،⟩. This is a modern innovation; pre-modern Arabic did not use punctuation. Hebrew, which is also written from right to left, uses the same characters as in English: ⟨,⟩ and ⟨?⟩.[25]

Originally, Sanskrit had no punctuation. In the 17th century, Sanskrit and Marathi, both written using Devanagari, started using the daṇḍa ⟨।⟩ to end a line of prose and double daṇḍa ⟨॥⟩ to end some larger organizational units of text.

Punctuation was not used in Chinese, Japanese, Korean, and Vietnamese chữ Nôm writing until the adoption of punctuation from the West in the late 19th and early 20th century. In unpunctuated texts, the grammatical structure of sentences in classical writing is inferred from context.[26] Most punctuation marks in modern Chinese, Japanese, and Korean have similar functions to their English counterparts; however, they often look different and have different customary rules.

In the Indian subcontinent, ⟨:-⟩ is sometimes used in place of a colon or after a subheading. Its origin is unclear, but it could be a remnant of the British Raj. Another punctuation practice common in the Indian Subcontinent for writing monetary amounts is the use of ⟨/-⟩ or ⟨/=⟩ after the number. For example, Rs. 20/- or Rs. 20/= implies 20 whole rupees.

Thai, Khmer, Lao, and Burmese did not use punctuation until the adoption of punctuation from the West in the 20th century. Blank spaces are more frequent than full stops or commas.

Novel punctuation marks#edit

Percontation point#edit

The percontation point (U+2E2E ⸮ REVERSED QUESTION MARK), a horizontally-mirrored question mark, was used occasionally in the 16th and 17th centuries to mark rhetorical questions.

Interrobang#edit

In 1962, American advertising executive Martin K. Speckter proposed the interrobang (U+203D ‽ INTERROBANG), a combination of the question mark and exclamation point, to mark rhetorical questions or questions stated in a tone of disbelief. Although the new punctuation mark was widely discussed in the 1960s, it failed to achieve widespread use.[27] Nevertheless, both it and its inverted form were given code points in Unicode: U+203D ‽ INTERROBANG, U+2E18 ⸘ INVERTED INTERROBANG.

Predecessors of emoticons and emojis#edit

The six additional punctuation marks proposed in 1966 by the French author Hervé Bazin in his book Plumons l'Oiseau ("Let's pluck the bird", 1966)[4] could be seen as predecessors of tone indicators.

These were:[28]

  • the "irony point" or "irony mark" (point d'ironie: )
  • the "love point" (point d'amour: ) A point d'amour mark, or "love point"
  • the "conviction point" (point de conviction: )
  • the "authority point" (point d'autorité: )
  • the "acclamation point" (point d'acclamation: )
  • the "doubt point" (point de doute: )

"Question comma", "exclamation comma"#edit

An exclamation comma
An exclamation comma Image: source and license

An international patent application was filed and published in 1992 under World Intellectual Property Organization (WIPO) number WO9219458,[29] for two new punctuation marks: the "question comma" and the "exclamation comma". The question comma has a comma instead of the dot at the bottom of a question mark, while the exclamation comma has a comma in place of the point at the bottom of an exclamation mark. These were intended for use as question and exclamation marks within a sentence, a function for which normal question and exclamation marks can also be used, but which may be considered obsolescent. The patent application entered the national phase only in Canada. It was advertised as lapsing in Australia on 27 January 1994[30] and in Canada on 6 November 1995.[31]

Others#edit

Other proposed punctuation marks include:[32]

  • Snark mark, indicating an ironic statement by putting a tilde next to terminal punctuation: .~ for dry sarcasm, !~ for enthusiastic sarcasm, and ?~ for sarcastic questions
  • SarcMark for sarcasm

Punctuation marks in Unicode#edit

Pd, dash#edit

Pd, dash
MarkNameCode pointGeneral CategoryScript
-HYPHEN-MINUSU+002DPd, dashCommon
‐HYPHENU+2010Pd, dashCommon
‑NON-BREAKING HYPHENU+2011Pd, dashCommon
‒FIGURE DASHU+2012Pd, dashCommon
–EN DASHU+2013Pd, dashCommon
—EM DASHU+2014Pd, dashCommon
―HORIZONTAL BARU+2015Pd, dashCommon
⸗DOUBLE OBLIQUE HYPHENU+2E17Pd, dashCommon
⸚HYPHEN WITH DIAERESISU+2E1APd, dashCommon
⸺TWO-EM DASHU+2E3APd, dashCommon
⸻THREE-EM DASHU+2E3BPd, dashCommon
⹀DOUBLE HYPHENU+2E40Pd, dashCommon
〜WAVE DASHU+301CPd, dashCommon
〰WAVY DASHU+3030Pd, dashCommon
゠KATAKANA-HIRAGANA DOUBLE HYPHENU+30A0Pd, dashCommon
︱PRESENTATION FORM FOR VERTICAL EM DASHU+FE31Pd, dashCommon
︲PRESENTATION FORM FOR VERTICAL EN DASHU+FE32Pd, dashCommon
﹘SMALL EM DASHU+FE58Pd, dashCommon
﹣SMALL HYPHEN-MINUSU+FE63Pd, dashCommon
-FULLWIDTH HYPHEN-MINUSU+FF0DPd, dashCommon
֊ARMENIAN HYPHENU+058APd, dashArmenian
᐀CANADIAN SYLLABICS HYPHENU+1400Pd, dashCanadian Aboriginal
־HEBREW PUNCTUATION MAQAFU+05BEPd, dashHebrew
᠆MONGOLIAN TODO SOFT HYPHENU+1806Pd, dashMongolian
𐺭YEZIDI HYPHENATION MARKU+10EADPd, dashYezidi

Pi-Pf, initial–final quote#edit

Pi-Pf, initial–final quote
MarkNameCode pointGeneral CategoryScript
« »LEFT-POINTING DOUBLE ANGLE QUOTATION MARK
RIGHT-POINTING DOUBLE ANGLE QUOTATION MARK
U+00AB
U+00BB
Pi, initial
Pf, final
Common
‘ ’LEFT SINGLE QUOTATION MARK
RIGHT SINGLE QUOTATION MARK
U+2018
U+2019
Pi, initial
Pf, final
Common
‛SINGLE HIGH-REVERSED-9 QUOTATION MARKU+201BPi, initial quoteCommon
“ ”LEFT DOUBLE QUOTATION MARK
RIGHT DOUBLE QUOTATION MARK
U+201C
U+201D
Pi, initial
Pf, final
Common
‟DOUBLE HIGH-REVERSED-9 QUOTATION MARKU+201FPi, initial quoteCommon
‹ ›SINGLE LEFT-POINTING ANGLE QUOTATION MARK
SINGLE RIGHT-POINTING ANGLE QUOTATION MARK
U+2039
U+203A
Pi, initial
Pf, final
Common
⸂ ⸃LEFT SUBSTITUTION BRACKET
RIGHT SUBSTITUTION BRACKET
U+2E02
U+2E03
Pi, initial
Pf, final
Common
⸄ ⸅LEFT DOTTED SUBSTITUTION BRACKET
RIGHT DOTTED SUBSTITUTION BRACKET
U+2E04
U+2E05
Pi, initial
Pf, final
Common
⸉ ⸊LEFT TRANSPOSITION BRACKET
RIGHT TRANSPOSITION BRACKET
U+2E09
U+2E0A
Pi, initial
Pf, final
Common
⸌ ⸍LEFT RAISED OMISSION BRACKET
RIGHT RAISED OMISSION BRACKET
U+2E0C
U+2E0D
Pi, initial
Pf, final
Common
⸜ ⸝LEFT LOW PARAPHRASE BRACKET
RIGHT LOW PARAPHRASE BRACKET
U+2E1C
U+2E1D
Pi, initial
Pf, final
Common
⸠ ⸡LEFT VERTICAL BAR WITH QUILL
RIGHT VERTICAL BAR WITH QUILL
U+2E20
U+2E21
Pi, initial
Pf, final
Common

Ps-Pe, open–close (brackets)#edit

Ps-Pe, open–close (brackets)
MarkNameCode pointGeneral CategoryScript
( )LEFT PARENTHESIS
RIGHT PARENTHESIS
U+0028
U+0029
Ps, open
Pe, close
Common
[ ]LEFT SQUARE BRACKET
RIGHT SQUARE BRACKET
U+005B
U+005D
Ps, open
Pe, close
Common
{ }LEFT CURLY BRACKET
RIGHT CURLY BRACKET
U+007B
U+007D
Ps, open
Pe, close
Common
‚SINGLE LOW-9 QUOTATION MARKU+201APs, openCommon
„DOUBLE LOW-9 QUOTATION MARKU+201EPs, openCommon
⁅ ⁆LEFT SQUARE BRACKET WITH QUILL
RIGHT SQUARE BRACKET WITH QUILL
U+2045
U+2046
Ps, open
Pe, close
Common
⁽ ⁾SUPERSCRIPT LEFT PARENTHESIS
SUPERSCRIPT RIGHT PARENTHESIS
U+207D
U+207E
Ps, open
Pe, close
Common
₍ ₎SUBSCRIPT LEFT PARENTHESIS
SUBSCRIPT RIGHT PARENTHESIS
U+208D
U+208E
Ps, open
Pe, close
Common
⌈ ⌉LEFT CEILING
RIGHT CEILING
U+2308
U+2309
Ps, open
Pe, close
Common
⌊ ⌋LEFT FLOOR
RIGHT FLOOR
U+230A
U+230B
Ps, open
Pe, close
Common
〈 〉LEFT-POINTING ANGLE BRACKET
RIGHT-POINTING ANGLE BRACKET
U+2329
U+232A
Ps, open
Pe, close
Common
❨ ❩MEDIUM LEFT PARENTHESIS ORNAMENT
MEDIUM RIGHT PARENTHESIS ORNAMENT
U+2768
U+2769
Ps, open
Pe, close
Common
❪ ❫MEDIUM FLATTENED LEFT PARENTHESIS ORNAMENT
MEDIUM FLATTENED RIGHT PARENTHESIS ORNAMENT
U+276A
U+276B
Ps, open
Pe, close
Common
❬ ❭MEDIUM LEFT-POINTING ANGLE BRACKET ORNAMENT
MEDIUM RIGHT-POINTING ANGLE BRACKET ORNAMENT
U+276C
U+276D
Ps, open
Pe, close
Common
❮ ❯HEAVY LEFT-POINTING ANGLE QUOTATION MARK ORNAMENT
HEAVY RIGHT-POINTING ANGLE QUOTATION MARK ORNAMENT
U+276E
U+276F
Ps, open
Pe, close
Common
❰ ❱HEAVY LEFT-POINTING ANGLE BRACKET ORNAMENT
HEAVY RIGHT-POINTING ANGLE BRACKET ORNAMENT
U+2770
U+2771
Ps, open
Pe, close
Common
❲ ❳LIGHT LEFT TORTOISE SHELL BRACKET ORNAMENT
LIGHT RIGHT TORTOISE SHELL BRACKET ORNAMENT
U+2772
U+2773
Ps, open
Pe, close
Common
❴ ❵MEDIUM LEFT CURLY BRACKET ORNAMENT
MEDIUM RIGHT CURLY BRACKET ORNAMENT
U+2774
U+2775
Ps, open
Pe, close
Common
⟅ ⟆LEFT S-SHAPED BAG DELIMITER
RIGHT S-SHAPED BAG DELIMITER
U+27C5
U+27C6
Ps, open
Pe, close
Common
⟦ ⟧MATHEMATICAL LEFT WHITE SQUARE BRACKET
MATHEMATICAL RIGHT WHITE SQUARE BRACKET
U+27E6
U+27E7
Ps, open
Pe, close
Common
⟨ ⟩MATHEMATICAL LEFT ANGLE BRACKET
MATHEMATICAL RIGHT ANGLE BRACKET
U+27E8
U+27E9
Ps, open
Pe, close
Common
⟪ ⟫MATHEMATICAL LEFT DOUBLE ANGLE BRACKET
MATHEMATICAL RIGHT DOUBLE ANGLE BRACKET
U+27EA
U+27EB
Ps, open
Pe, close
Common
⟬ ⟭MATHEMATICAL LEFT WHITE TORTOISE SHELL BRACKET
MATHEMATICAL RIGHT WHITE TORTOISE SHELL BRACKET
U+27EC
U+27ED
Ps, open
Pe, close
Common
⟮ ⟯MATHEMATICAL LEFT FLATTENED PARENTHESIS
MATHEMATICAL RIGHT FLATTENED PARENTHESIS
U+27EE
U+27EF
Ps, open
Pe, close
Common
⦃ ⦄LEFT WHITE CURLY BRACKET
RIGHT WHITE CURLY BRACKET
U+2983
U+2984
Ps, open
Pe, close
Common
⦅ ⦆LEFT WHITE PARENTHESIS
RIGHT WHITE PARENTHESIS
U+2985
U+2986
Ps, open
Pe, close
Common
⦇ ⦈Z NOTATION LEFT IMAGE BRACKET
Z NOTATION RIGHT IMAGE BRACKET
U+2987
U+2988
Ps, open
Pe, close
Common
⦉ ⦊Z NOTATION LEFT BINDING BRACKET
Z NOTATION RIGHT BINDING BRACKET
U+2989
U+298A
Ps, open
Pe, close
Common
⦋ ⦌LEFT SQUARE BRACKET WITH UNDERBAR
RIGHT SQUARE BRACKET WITH UNDERBAR
U+298B
U+298C
Ps, open
Pe, close
Common
⦍ ⦎LEFT SQUARE BRACKET WITH TICK IN TOP CORNER
RIGHT SQUARE BRACKET WITH TICK IN BOTTOM CORNER
U+298D
U+298E
Ps, open
Pe, close
Common
⦏ ⦐LEFT SQUARE BRACKET WITH TICK IN BOTTOM CORNER
RIGHT SQUARE BRACKET WITH TICK IN TOP CORNER
U+298F
U+2990
Ps, open
Pe, close
Common
⦑ ⦒LEFT ANGLE BRACKET WITH DOT
RIGHT ANGLE BRACKET WITH DOT
U+2991
U+2992
Ps, open
Pe, close
Common
⦓ ⦔LEFT ARC LESS-THAN BRACKET
RIGHT ARC GREATER-THAN BRACKET
U+2993
U+2994
Ps, open
Pe, close
Common
⦕ ⦖DOUBLE LEFT ARC GREATER-THAN BRACKET
DOUBLE RIGHT ARC LESS-THAN BRACKET
U+2995
U+2996
Ps, open
Pe, close
Common
⦗ ⦘LEFT BLACK TORTOISE SHELL BRACKET
RIGHT BLACK TORTOISE SHELL BRACKET
U+2997
U+2998
Ps, open
Pe, close
Common
⧘ ⧙LEFT WIGGLY FENCE
RIGHT WIGGLY FENCE
U+29D8
U+29D9
Ps, open
Pe, close
Common
⧚ ⧛LEFT DOUBLE WIGGLY FENCE
RIGHT DOUBLE WIGGLY FENCE
U+29DA
U+29DB
Ps, open
Pe, close
Common
⧼ ⧽LEFT-POINTING CURVED ANGLE BRACKET
RIGHT-POINTING CURVED ANGLE BRACKET
U+29FC
U+29FD
Ps, open
Pe, close
Common
⸢ ⸣TOP LEFT HALF BRACKET
TOP RIGHT HALF BRACKET
U+2E22
U+2E23
Ps, open
Pe, close
Common
⸤ ⸥BOTTOM LEFT HALF BRACKET
BOTTOM RIGHT HALF BRACKET
U+2E24
U+2E25
Ps, open
Pe, close
Common
⸦ ⸧LEFT SIDEWAYS U BRACKET
RIGHT SIDEWAYS U BRACKET
U+2E26
U+2E27
Ps, open
Pe, close
Common
⸨ ⸩LEFT DOUBLE PARENTHESIS
RIGHT DOUBLE PARENTHESIS
U+2E28
U+2E29
Ps, open
Pe, close
Common
⹕ ⹖LEFT SQUARE BRACKET WITH STROKE
RIGHT SQUARE BRACKET WITH STROKE
U+2E55
U+2E56
Ps, open
Pe, close
Common
⹗ ⹘LEFT SQUARE BRACKET WITH DOUBLE STROKE
RIGHT SQUARE BRACKET WITH DOUBLE STROKE
U+2E57
U+2E58
Ps, open
Pe, close
Common
⹢ ⹣LEFT PARENTHESIS WITH MIDDLE RING
RIGHT PARENTHESIS WITH MIDDLE RING
U+2E62
U+2E63
Ps, open
Pe, close
Common
⹂DOUBLE LOW-REVERSED-9 QUOTATION MARKU+2E42Ps, openCommon
〈 〉LEFT ANGLE BRACKET
RIGHT ANGLE BRACKET
U+3008
U+3009
Ps, open
Pe, close
Common
《 》LEFT DOUBLE ANGLE BRACKET
RIGHT DOUBLE ANGLE BRACKET
U+300A
U+300B
Ps, open
Pe, close
Common
「 」LEFT CORNER BRACKET
RIGHT CORNER BRACKET
U+300C
U+300D
Ps, open
Pe, close
Common
『 』LEFT WHITE CORNER BRACKET
RIGHT WHITE CORNER BRACKET
U+300E
U+300F
Ps, open
Pe, close
Common
【 】LEFT BLACK LENTICULAR BRACKET
RIGHT BLACK LENTICULAR BRACKET
U+3010
U+3011
Ps, open
Pe, close
Common
〔 〕LEFT TORTOISE SHELL BRACKET
RIGHT TORTOISE SHELL BRACKET
U+3014
U+3015
Ps, open
Pe, close
Common
〖 〗LEFT WHITE LENTICULAR BRACKET
RIGHT WHITE LENTICULAR BRACKET
U+3016
U+3017
Ps, open
Pe, close
Common
〘 〙LEFT WHITE TORTOISE SHELL BRACKET
RIGHT WHITE TORTOISE SHELL BRACKET
U+3018
U+3019
Ps, open
Pe, close
Common
〚 〛LEFT WHITE SQUARE BRACKET
RIGHT WHITE SQUARE BRACKET
U+301A
U+301B
Ps, open
Pe, close
Common
〝 〞REVERSED DOUBLE PRIME QUOTATION MARK
DOUBLE PRIME QUOTATION MARK
U+301D
U+301E
Ps, open
Pe, close
Common
〟LOW DOUBLE PRIME QUOTATION MARKU+301FPe, closeCommon
﴾ ﴿ORNATE LEFT PARENTHESIS
ORNATE RIGHT PARENTHESIS
U+FD3E
U+FD3F
Ps, open
Pe, close
Common
︗ ︘PRESENTATION FORM FOR VERTICAL LEFT WHITE LENTICULAR BRACKET
PRESENTATION FORM FOR VERTICAL RIGHT WHITE LENTICULAR BRAKCET
U+FE17
U+FE18
Ps, open
Pe, close
Common
︵ ︶PRESENTATION FORM FOR VERTICAL LEFT PARENTHESIS
PRESENTATION FORM FOR VERTICAL RIGHT PARENTHESIS
U+FE35
U+FE36
Ps, open
Pe, close
Common
︷ ︸PRESENTATION FORM FOR VERTICAL LEFT CURLY BRACKET
PRESENTATION FORM FOR VERTICAL RIGHT CURLY BRACKET
U+FE37
U+FE38
Ps, open
Pe, close
Common
︹ ︺PRESENTATION FORM FOR VERTICAL LEFT TORTOISE SHELL BRACKET
PRESENTATION FORM FOR VERTICAL RIGHT TORTOISE SHELL BRACKET
U+FE39
U+FE3A
Ps, open
Pe, close
Common
︻ ︼PRESENTATION FORM FOR VERTICAL LEFT BLACK LENTICULAR BRACKET
PRESENTATION FORM FOR VERTICAL RIGHT BLACK LENTICULAR BRACKET
U+FE3B
U+FE3C
Ps, open
Pe, close
Common
︽ ︾PRESENTATION FORM FOR VERTICAL LEFT DOUBLE ANGLE BRACKET
PRESENTATION FORM FOR VERTICAL RIGHT DOUBLE ANGLE BRACKET
U+FE3D
U+FE3E
Ps, open
Pe, close
Common
︿ ﹀PRESENTATION FORM FOR VERTICAL LEFT ANGLE BRACKET
PRESENTATION FORM FOR VERTICAL RIGHT ANGLE BRACKET
U+FE3F
U+FE40
Ps, open
Pe, close
Common
﹁ ﹂PRESENTATION FORM FOR VERTICAL LEFT CORNER BRACKET
PRESENTATION FORM FOR VERTICAL RIGHT CORNER BRACKET
U+FE41
U+FE42
Ps, open
Pe, close
Common
﹃ ﹄PRESENTATION FORM FOR VERTICAL LEFT WHITE CORNER BRACKET
PRESENTATION FORM FOR VERTICAL RIGHT WHITE CORNER BRACKET
U+FE43
U+FE44
Ps, open
Pe, close
Common
﹇ ﹈PRESENTATION FORM FOR VERTICAL LEFT SQUARE BRACKET
PRESENTATION FORM FOR VERTICAL RIGHT SQUARE BRACKET
U+FE47
U+FE48
Ps, open
Pe, close
Common
﹙ ﹚SMALL LEFT PARENTHESIS
SMALL RIGHT PARENTHESIS
U+FE59
U+FE5A
Ps, open
Pe, close
Common
﹛ ﹜SMALL LEFT CURLY BRACKET
SMALL RIGHT CURLY BRACKET
U+FE5B
U+FE5C
Ps, open
Pe, close
Common
﹝ ﹞SMALL LEFT TORTOISE SHELL BRACKET
SMALL RIGHT TORTOISE SHELL BRACKET
U+FE5D
U+FE5E
Ps, open
Pe, close
Common
( )FULLWIDTH LEFT PARENTHESIS
FULLWIDTH RIGHT PARENTHESIS
U+FF08
U+FF09
Ps, open
Pe, close
Common
[ ]FULLWIDTH LEFT SQUARE BRACKET
FULLWIDTH RIGHT SQUARE BRACKET
U+FF3B
U+FF3D
Ps, open
Pe, close
Common
{ }FULLWIDTH LEFT CURLY BRACKET
FULLWIDTH RIGHT CURLY BRACKET
U+FF5B
U+FF5D
Ps, open
Pe, close
Common
⦅ ⦆FULLWIDTH LEFT WHITE PARENTHESIS
FULLWIDTH RIGHT WHITE PARENTHESIS
U+FF5F
U+FF60
Ps, open
Pe, close
Common
「 」HALFWIDTH LEFT CORNER BRACKET
HALFWIDTH RIGHT CORNER BRACKET
U+FF62
U+FF63
Ps, open
Pe, close
Common
᚛ ᚜OGHAM FEATHER MARK
OGHAM REVERSED FEATHER MARK
U+169B
U+169C
Ps, open
Pe, close
Ogham
༺ ༻TIBETAN MARK GUG RTAGS GYON
TIBETAN MARK GUG RTAGS GYAS
U+0F3A
U+0F3B
Ps, open
Pe, close
Tibetan
༼ ༽TIBETAN MARK ANG KHANG GYON
TIBETAN MARK ANG KHANG GYAS
U+0F3C
U+0F3D
Ps, open
Pe, close
Tibetan

Pc, connector#edit

Pc, connector
MarkNameCode pointGeneral CategoryScript
_LOW LINEU+005FPc, connectorCommon
‿UNDERTIEU+203FPc, connectorCommon
⁀CHARACTER TIEU+2040Pc, connectorCommon
⁔INVERTED UNDERTIEU+2054Pc, connectorCommon
︳PRESENTATION FORM FOR VERTICAL LOW LINEU+FE33Pc, connectorCommon
︴PRESENTATION FORM FOR VERTICAL WAVY LOW LINEU+FE34Pc, connectorCommon
﹍DASHED LOW LINEU+FE4DPc, connectorCommon
﹎CENTRELINE LOW LINEU+FE4EPc, connectorCommon
﹏WAVY LOW LINEU+FE4FPc, connectorCommon
_FULLWIDTH LOW LINEU+FF3FPc, connectorCommon

Po, other#edit

Po, other
MarkNameCode pointGeneral CategoryScript
!EXCLAMATION MARKU+0021Po, otherCommon
"QUOTATION MARKU+0022Po, otherCommon
#NUMBER SIGNU+0023Po, otherCommon
%PERCENT SIGNU+0025Po, otherCommon
&AMPERSANDU+0026Po, otherCommon
'APOSTROPHEU+0027Po, otherCommon
*ASTERISKU+002APo, otherCommon
,COMMAU+002CPo, otherCommon
.FULL STOPU+002EPo, otherCommon
/SOLIDUSU+002FPo, otherCommon
:COLONU+003APo, otherCommon
;SEMICOLONU+003BPo, otherCommon
?QUESTION MARKU+003FPo, otherCommon
@COMMERCIAL ATU+0040Po, otherCommon
\REVERSE SOLIDUSU+005CPo, otherCommon
¡INVERTED EXCLAMATION MARKU+00A1Po, otherCommon
§SECTION SIGNU+00A7Po, otherCommon
PILCROW SIGNU+00B6Po, otherCommon
·MIDDLE DOTU+00B7Po, otherCommon
¿INVERTED QUESTION MARKU+00BFPo, otherCommon
;GREEK QUESTION MARKU+037EPo, otherCommon
·GREEK ANO TELEIAU+0387Po, otherCommon
،ARABIC COMMAU+060CPo, otherCommon
؛ARABIC SEMICOLONU+061BPo, otherCommon
؟ARABIC QUESTION MARKU+061FPo, otherCommon
।DEVANAGARI DANDAU+0964Po, otherCommon
॥DEVANAGARI DOUBLE DANDAU+0965Po, otherCommon
჻GEORGIAN PARAGRAPH SEPARATORU+10FBPo, otherCommon
᛫RUNIC SINGLE PUNCTUATIONU+16EBPo, otherCommon
᛬RUNIC MULTIPLE PUNCTUATIONU+16ECPo, otherCommon
᛭RUNIC CROSS PUNCTUATIONU+16EDPo, otherCommon
᜵PHILIPPINE SINGLE PUNCTUATIONU+1735Po, otherCommon
᜶PHILIPPINE DOUBLE PUNCTUATIONU+1736Po, otherCommon
᠂MONGOLIAN COMMAU+1802Po, otherCommon
᠃MONGOLIAN FULL STOPU+1803Po, otherCommon
᠅MONGOLIAN FOUR DOTSU+1805Po, otherCommon
᳓VEDIC SIGN NIHSHVASAU+1CD3Po, otherCommon
‖DOUBLE VERTICAL LINEU+2016Po, otherCommon
‗DOUBLE LOW LINEU+2017Po, otherCommon
†DAGGERU+2020Po, otherCommon
‡DOUBLE DAGGERU+2021Po, otherCommon
•BULLETU+2022Po, otherCommon
‣TRIANGULAR BULLETU+2023Po, otherCommon
․ONE DOT LEADERU+2024Po, otherCommon
‥TWO DOT LEADERU+2025Po, otherCommon
…HORIZONTAL ELLIPSISU+2026Po, otherCommon
‧HYPHENATION POINTU+2027Po, otherCommon
‰PER MILLE SIGNU+2030Po, otherCommon
‱PER TEN THOUSAND SIGNU+2031Po, otherCommon
′PRIMEU+2032Po, otherCommon
″DOUBLE PRIMEU+2033Po, otherCommon
‴TRIPLE PRIMEU+2034Po, otherCommon
‵REVERSED PRIMEU+2035Po, otherCommon
‶REVERSED DOUBLE PRIMEU+2036Po, otherCommon
‷REVERSED TRIPLE PRIMEU+2037Po, otherCommon
‸CARETU+2038Po, otherCommon
※REFERENCE MARKU+203BPo, otherCommon
‼DOUBLE EXCLAMATION MARKU+203CPo, otherCommon
‽INTERROBANGU+203DPo, otherCommon
‾OVERLINEU+203EPo, otherCommon
⁁CARET INSERTION POINTU+2041Po, otherCommon
⁂ASTERISMU+2042Po, otherCommon
⁃HYPHEN BULLETU+2043Po, otherCommon
⁇DOUBLE QUESTION MARKU+2047Po, otherCommon
⁈QUESTION EXCLAMATION MARKU+2048Po, otherCommon
⁉EXCLAMATION QUESTION MARKU+2049Po, otherCommon
⁊TIRONIAN SIGN ETU+204APo, otherCommon
⁋REVERSED PILCROW SIGNU+204BPo, otherCommon
⁌BLACK LEFTWARDS BULLETU+204CPo, otherCommon
⁍BLACK RIGHTWARDS BULLETU+204DPo, otherCommon
⁎LOW ASTERISKU+204EPo, otherCommon
⁏REVERSED SEMICOLONU+204FPo, otherCommon
⁐CLOSE UPU+2050Po, otherCommon
⁑TWO ASTERISKS ALIGNED VERTICALLYU+2051Po, otherCommon
⁓SWUNG DASHU+2053Po, otherCommon
⁕FLOWER PUNCTUATION MARKU+2055Po, otherCommon
⁖THREE DOT PUNCTUATIONU+2056Po, otherCommon
⁗QUADRUPLE PRIMEU+2057Po, otherCommon
⁘FOUR DOT PUNCTUATIONU+2058Po, otherCommon
⁙FIVE DOT PUNCTUATIONU+2059Po, otherCommon
⁚TWO DOT PUNCTUATIONU+205APo, otherCommon
⁛FOUR DOT MARKU+205BPo, otherCommon
⁜DOTTED CROSSU+205CPo, otherCommon
⁝TRICOLONU+205DPo, otherCommon
⁞VERTICAL FOUR DOTSU+205EPo, otherCommon
⸀RIGHT ANGLE SUBSTITUTION MARKERU+2E00Po, otherCommon
⸁RIGHT ANGLE DOTTED SUBSTITUTION MARKERU+2E01Po, otherCommon
⸆RAISED INTERPOLATION MARKERU+2E06Po, otherCommon
⸇RAISED DOTTED INTERPOLATION MARKERU+2E07Po, otherCommon
⸈DOTTED TRANSPOSITION MARKERU+2E08Po, otherCommon
⸋RAISED SQUAREU+2E0BPo, otherCommon
⸎EDITORIAL CORONISU+2E0EPo, otherCommon
⸏PARAGRAPHOSU+2E0FPo, otherCommon
⸐FORKED PARAGRAPHOSU+2E10Po, otherCommon
⸑REVERSED FORKED PARAGRAPHOSU+2E11Po, otherCommon
⸒HYPODIASTOLEU+2E12Po, otherCommon
⸓DOTTED OBELOSU+2E13Po, otherCommon
⸔DOWNWARDS ANCORAU+2E14Po, otherCommon
⸕UPWARDS ANCORAU+2E15Po, otherCommon
⸖DOTTED RIGHT-POINTING ANGLEU+2E16Po, otherCommon
⸘INVERTED INTERROBANGU+2E18Po, otherCommon
⸙PALM BRANCHU+2E19Po, otherCommon
⸛TILDE WITH RING ABOVEU+2E1BPo, otherCommon
⸞TILDE WITH DOT ABOVEU+2E1EPo, otherCommon
⸟TILDE WITH DOT BELOWU+2E1FPo, otherCommon
⸪TWO DOTS OVER ONE DOT PUNCTUATIONU+2E2APo, otherCommon
⸫ONE DOT OVER TWO DOTS PUNCTUATIONU+2E2BPo, otherCommon
⸬SQUARED FOUR DOT PUNCTUATIONU+2E2CPo, otherCommon
⸭FIVE DOT MARKU+2E2DPo, otherCommon
⸮REVERSED QUESTION MARKU+2E2EPo, otherCommon
⸰RING POINTU+2E30Po, otherCommon
⸱WORD SEPARATOR MIDDLE DOTU+2E31Po, otherCommon
⸲TURNED COMMAU+2E32Po, otherCommon
⸳RAISED DOTU+2E33Po, otherCommon
⸴RAISED COMMAU+2E34Po, otherCommon
⸵TURNED SEMICOLONU+2E35Po, otherCommon
⸶DAGGER WITH LEFT GUARDU+2E36Po, otherCommon
⸷DAGGER WITH RIGHT GUARDU+2E37Po, otherCommon
⸸TURNED DAGGERU+2E38Po, otherCommon
⸹TOP HALF SECTION SIGNU+2E39Po, otherCommon
⸼STENOGRAPHIC FULL STOPU+2E3CPo, otherCommon
⸽VERTICAL SIX DOTSU+2E3DPo, otherCommon
⸾WIGGLY VERTICAL LINEU+2E3EPo, otherCommon
⸿CAPITULUMU+2E3FPo, otherCommon
⹁REVERSED COMMAU+2E41Po, otherCommon
⹃DASH WITH LEFT UPTURNU+2E43Po, otherCommon
⹄DOUBLE SUSPENSION MARKU+2E44Po, otherCommon
⹅INVERTED LOW KAVYKAU+2E45Po, otherCommon
⹆INVERTED LOW KAVYKA WITH KAVYKA ABOVEU+2E46Po, otherCommon
⹇LOW KAVYKAU+2E47Po, otherCommon
⹈LOW KAVYKA WITH DOTU+2E48Po, otherCommon
⹉DOUBLE STACKED COMMAU+2E49Po, otherCommon
⹊DOTTED SOLIDUSU+2E4APo, otherCommon
⹋TRIPLE DAGGERU+2E4BPo, otherCommon
⹌MEDIEVAL COMMAU+2E4CPo, otherCommon
⹍PARAGRAPHUS MARKU+2E4DPo, otherCommon
⹎PUNCTUS ELEVATUS MARKU+2E4EPo, otherCommon
⹏CORNISH VERSE DIVIDERU+2E4FPo, otherCommon
⹒TIRONIAN SIGN CAPITAL ETU+2E52Po, otherCommon
⹠WIGGLY EXCLAMATION MARKU+2E60Po, otherCommon
⹡INVERTED WIGGLY EXCLAMATION MARKU+2E61Po, otherCommon
、IDEOGRAPHIC COMMAU+3001Po, otherCommon
。IDEOGRAPHIC FULL STOPU+3002Po, otherCommon
〃DITTO MARKU+3003Po, otherCommon
〽PART ALTERNATION MARKU+303DPo, otherCommon
・KATAKANA MIDDLE DOTU+30FBPo, otherCommon
꤮KAYAH LI SIGN CWIU+A92EPo, otherCommon
︐PRESENTATION FORM FOR VERTICAL COMMAU+FE10Po, otherCommon
︑PRESENTATION FORM FOR VERTICAL IDEOGRAPHIC COMMAU+FE11Po, otherCommon
︒PRESENTATION FORM FOR VERTICAL IDEOGRAPHIC FULL STOPU+FE12Po, otherCommon
︓PRESENTATION FORM FOR VERTICAL COLONU+FE13Po, otherCommon
︔PRESENTATION FORM FOR VERTICAL SEMICOLONU+FE14Po, otherCommon
︕PRESENTATION FORM FOR VERTICAL EXCLAMATION MARKU+FE15Po, otherCommon
︖PRESENTATION FORM FOR VERTICAL QUESTION MARKU+FE16Po, otherCommon
︙PRESENTATION FORM FOR VERTICAL HORIZONTAL ELLIPSISU+FE19Po, otherCommon
︰PRESENTATION FORM FOR VERTICAL TWO DOT LEADERU+FE30Po, otherCommon
﹅SESAME DOTU+FE45Po, otherCommon
﹆WHITE SESAME DOTU+FE46Po, otherCommon
﹉DASHED OVERLINEU+FE49Po, otherCommon
﹊CENTRELINE OVERLINEU+FE4APo, otherCommon
﹋WAVY OVERLINEU+FE4BPo, otherCommon
﹌DOUBLE WAVY OVERLINEU+FE4CPo, otherCommon
﹐SMALL COMMAU+FE50Po, otherCommon
﹑SMALL IDEOGRAPHIC COMMAU+FE51Po, otherCommon
﹒SMALL FULL STOPU+FE52Po, otherCommon
﹔SMALL SEMICOLONU+FE54Po, otherCommon
﹕SMALL COLONU+FE55Po, otherCommon
﹖SMALL QUESTION MARKU+FE56Po, otherCommon
﹗SMALL EXCLAMATION MARKU+FE57Po, otherCommon
﹟SMALL NUMBER SIGNU+FE5FPo, otherCommon
﹠SMALL AMPERSANDU+FE60Po, otherCommon
﹡SMALL ASTERISKU+FE61Po, otherCommon
﹨SMALL REVERSE SOLIDUSU+FE68Po, otherCommon
﹪SMALL PERCENT SIGNU+FE6APo, otherCommon
﹫SMALL COMMERCIAL ATU+FE6BPo, otherCommon
!FULLWIDTH EXCLAMATION MARKU+FF01Po, otherCommon
"FULLWIDTH QUOTATION MARKU+FF02Po, otherCommon
#FULLWIDTH NUMBER SIGNU+FF03Po, otherCommon
%FULLWIDTH PERCENT SIGNU+FF05Po, otherCommon
&FULLWIDTH AMPERSANDU+FF06Po, otherCommon
'FULLWIDTH APOSTROPHEU+FF07Po, otherCommon
*FULLWIDTH ASTERISKU+FF0APo, otherCommon
,FULLWIDTH COMMAU+FF0CPo, otherCommon
.FULLWIDTH FULL STOPU+FF0EPo, otherCommon
/FULLWIDTH SOLIDUSU+FF0FPo, otherCommon
:FULLWIDTH COLONU+FF1APo, otherCommon
;FULLWIDTH SEMICOLONU+FF1BPo, otherCommon
?FULLWIDTH QUESTION MARKU+FF1FPo, otherCommon
@FULLWIDTH COMMERCIAL ATU+FF20Po, otherCommon
\FULLWIDTH REVERSE SOLIDUSU+FF3CPo, otherCommon
。HALFWIDTH IDEOGRAPHIC FULL STOPU+FF61Po, otherCommon
、HALFWIDTH IDEOGRAPHIC COMMAU+FF64Po, otherCommon
・HALFWIDTH KATAKANA MIDDLE DOTU+FF65Po, otherCommon
𐄀AEGEAN WORD SEPARATOR LINEU+10100Po, otherCommon
𐄁AEGEAN WORD SEPARATOR DOTU+10101Po, otherCommon
𐄂AEGEAN CHECK MARKU+10102Po, otherCommon
𖿢OLD CHINESE HOOK MARKU+16FE2Po, otherCommon
𞥞ADLAM INITIAL EXCLAMATION MARKU+1E95EPo, otherAdlam
𞥟ADLAM INITIAL QUESTION MARKU+1E95FPo, otherAdlam
՚ARMENIAN APOSTROPHEU+055APo, otherArmenian
՛ARMENIAN EMPHASIS MARKU+055BPo, otherArmenian
՜ARMENIAN EXCLAMATION MARKU+055CPo, otherArmenian
՝ARMENIAN COMMAU+055DPo, otherArmenian
՞ARMENIAN QUESTION MARKU+055EPo, otherArmenian
՟ARMENIAN ABBREVIATION MARKU+055FPo, otherArmenian
։ARMENIAN FULL STOPU+0589Po, otherArmenian
؉ARABIC-INDIC PER MILLE SIGNU+0609Po, otherArabic
؊ARABIC-INDIC PER TEN THOUSAND SIGNU+060APo, otherArabic
؍ARABIC DATE SEPARATORU+060DPo, otherArabic
؞ARABIC TRIPLE DOT PUNCTUATION MARKU+061EPo, otherArabic
٪ARABIC PERCENT SIGNU+066APo, otherArabic
٫ARABIC DECIMAL SEPARATORU+066BPo, otherArabic
٬ARABIC THOUSANDS SEPARATORU+066CPo, otherArabic
٭ARABIC FIVE POINTED STARU+066DPo, otherArabic
۔ARABIC FULL STOPU+06D4Po, otherArabic
𑜼AHOM SIGN SMALL SECTIONU+1173CPo, otherAhom
𑜽AHOM SIGN SECTIONU+1173DPo, otherAhom
𑜾AHOM SIGN RULAIU+1173EPo, otherAhom
𐬹AVESTAN ABBREVIATION MARKU+10B39Po, otherAvestan
𐬺TINY TWO DOTS OVER ONE DOT PUNCTUATIONU+10B3APo, otherAvestan
𐬻SMALL TWO DOTS OVER ONE DOT PUNCTUATIONU+10B3BPo, otherAvestan
𐬼LARGE TWO DOTS OVER ONE DOT PUNCTUATIONU+10B3CPo, otherAvestan
𐬽LARGE ONE DOT OVER TWO DOTS PUNCTUATIONU+10B3DPo, otherAvestan
𐬾LARGE TWO RINGS OVER ONE RING PUNCTUATIONU+10B3EPo, otherAvestan
𐬿LARGE ONE RING OVER TWO RINGS PUNCTUATIONU+10B3FPo, otherAvestan
᭚BALINESE PANTIU+1B5APo, otherBalinese
᭛BALINESE PAMADAU+1B5BPo, otherBalinese
᭜BALINESE WINDUU+1B5CPo, otherBalinese
᭝BALINESE CARIK PAMUNGKAHU+1B5DPo, otherBalinese
᭞BALINESE CARIK SIKIU+1B5EPo, otherBalinese
᭟BALINESE CARIK PARERENU+1B5FPo, otherBalinese
᭠BALINESE PAMENENGU+1B60Po, otherBalinese
꛲BAMUM NJAEMLIU+A6F2Po, otherBamum
꛳BAMUM FULL STOPU+A6F3Po, otherBamum
꛴BAMUM COLONU+A6F4Po, otherBamum
꛵BAMUM COMMAU+A6F5Po, otherBamum
꛶BAMUM SEMICOLONU+A6F6Po, otherBamum
꛷BAMUM QUESTION MARKU+A6F7Po, otherBamum
𖫵BASSA VAH FULL STOPU+16AF5Po, otherBassa Vah
᯼BATAK SYMBOL BINDU NA METEKU+1BFCPo, otherBatak
᯽BATAK SYMBOL BINDU PINARBORASU+1BFDPo, otherBatak
᯾BATAK SYMBOL BINDU JUDULU+1BFEPo, otherBatak
᯿BATAK SYMBOL BINDU PANGOLATU+1BFFPo, otherBatak
৽BENGALI ABBREVIATION SIGNU+09FDPo, otherBengali
𑱁BHAIKSUKI DANDAU+11C41Po, otherBhaiksuki
𑱂BHAIKSUKI DOUBLE DANDAU+11C42Po, otherBhaiksuki
𑱃BHAIKSUKI WORD SEPARATORU+11C43Po, otherBhaiksuki
𑱄BHAIKSUKI GAP FILLER-1U+11C44Po, otherBhaiksuki
𑱅BHAIKSUKI GAP FILLER-2U+11C45Po, otherBhaiksuki
𑁇BRAHMI DANDAU+11047Po, otherBrahmi
𑁈BRAHMI DOUBLE DANDAU+11048Po, otherBrahmi
𑁉BRAHMI PUNCTUATION DOTU+11049Po, otherBrahmi
𑁊BRAHMI PUNCTUATION DOUBLE DOTU+1104APo, otherBrahmi
𑁋BRAHMI PUNCTUATION LINEU+1104BPo, otherBrahmi
𑁌BRAHMI PUNCTUATION CRESCENT BARU+1104CPo, otherBrahmi
𑁍BRAHMI PUNCTUATION LOTUSU+1104DPo, otherBrahmi
᨞BUGINESE PALLAWAU+1A1EPo, otherBuginese
᨟BUGINESE END OF SECTIONU+1A1FPo, otherBuginese
᙮CANADIAN SYLLABICS FULL STOPU+166EPo, otherCanadian Aboriginal
𑅀CHAKMA SECTION MARKU+11140Po, otherChakma
𑅁CHAKMA DANDAU+11141Po, otherChakma
𑅂CHAKMA DOUBLE DANDAU+11142Po, otherChakma
𑅃CHAKMA QUESTION MARKU+11143Po, otherChakma
꩜CHAM PUNCTUATION SPIRALU+AA5CPo, otherCham
꩝CHAM PUNCTUATION DANDAU+AA5DPo, otherCham
꩞CHAM PUNCTUATION DOUBLE DANDAU+AA5EPo, otherCham
꩟CHAM PUNCTUATION TRIPLE DANDAU+AA5FPo, otherCham
⳹COPTIC OLD NUBIAN FULL STOPU+2CF9Po, otherCoptic
⳺COPTIC OLD NUBIAN DIRECT QUESTION MARKU+2CFAPo, otherCoptic
⳻COPTIC OLD NUBIAN INDIRECT QUESTION MARKU+2CFBPo, otherCoptic
⳼COPTIC OLD NUBIAN VERSE DIVIDERU+2CFCPo, otherCoptic
⳾COPTIC FULL STOPU+2CFEPo, otherCoptic
⳿COPTIC MORPHOLOGICAL DIVIDERU+2CFFPo, otherCoptic
𒑰CUNEIFORM PUNCTUATION SIGN OLD ASSYRIAN WORD DIVIDERU+12470Po, otherCuneiform
𒑱CUNEIFORM PUNCTUATION SIGN VERTICAL COLONU+12471Po, otherCuneiform
𒑲CUNEIFORM PUNCTUATION SIGN DIAGONAL COLONU+12472Po, otherCuneiform
𒑳CUNEIFORM PUNCTUATION SIGN DIAGONAL TRICOLONU+12473Po, otherCuneiform
𒑴CUNEIFORM PUNCTUATION SIGN DIAGONAL QUADCOLONU+12474Po, otherCuneiform
꙳SLAVONIC ASTERISKU+A673Po, otherCyrillic
꙾CYRILLIC KAVYKAU+A67EPo, otherCyrillic
𐕯CAUCASIAN ALBANIAN CITATION MARKU+1056FPo, otherCaucasian Albanian
॰DEVANAGARI ABBREVIATION SIGNU+0970Po, otherDevanagari
꣸DEVANAGARI SIGN PUSHPIKAU+A8F8Po, otherDevanagari
꣹DEVANAGARI GAP FILLERU+A8F9Po, otherDevanagari
꣺DEVANAGARI CARETU+A8FAPo, otherDevanagari
꣼DEVANAGARI SIGN SIDDHAMU+A8FCPo, otherDevanagari
𑥄DIVES AKURU DOUBLE DANDAU+11944Po, otherDives Akuru
𑥅DIVES AKURU GAP FILLERU+11945Po, otherDives Akuru
𑥆DIVES AKURU END OF TEXT MARKU+11946Po, otherDives Akuru
𑠻DOGRA ABBREVIATION SIGNU+1183BPo, otherDogra
𛲟DUPLOYAN PUNCTUATION CHINOOK FULL STOPU+1BC9FPo, otherDuployan
፠ETHIOPIC SECTION MARKU+1360Po, otherEthiopic
፡ETHIOPIC WORDSPACEU+1361Po, otherEthiopic
።ETHIOPIC FULL STOPU+1362Po, otherEthiopic
፣ETHIOPIC COMMAU+1363Po, otherEthiopic
፤ETHIOPIC SEMICOLONU+1364Po, otherEthiopic
፥ETHIOPIC COLONU+1365Po, otherEthiopic
፦ETHIOPIC PREFACE COLONU+1366Po, otherEthiopic
፧ETHIOPIC QUESTION MARKU+1367Po, otherEthiopic
፨ETHIOPIC PARAGRAPH SEPARATORU+1368Po, otherEthiopic
੶GURMUKHI ABBREVIATION SIGNU+0A76Po, otherGurmukhi
૰GUJARATI ABBREVIATION SIGNU+0AF0Po, otherGujarati
׀HEBREW PUNCTUATION PASEQU+05C0Po, otherHebrew
׃HEBREW PUNCTUATION SOF PASUQU+05C3Po, otherHebrew
׆HEBREW PUNCTUATION NUN HAFUKHAU+05C6Po, otherHebrew
׳HEBREW PUNCTUATION GERESHU+05F3Po, otherHebrew
״HEBREW PUNCTUATION GERSHAYIMU+05F4Po, otherHebrew
𐡗IMPERIAL ARAMAIC SECTION SIGNU+10857Po, otherImperial Aramaic
꧁JAVANESE LEFT RERENGGANU+A9C1Po, otherJavanese
꧂JAVANESE RIGHT RERENGGANU+A9C2Po, otherJavanese
꧃JAVANESE PADA ANDAPU+A9C3Po, otherJavanese
꧄JAVANESE PADA MADYAU+A9C4Po, otherJavanese
꧅JAVANESE PADA LUHURU+A9C5Po, otherJavanese
꧆JAVANESE PADA WINDUU+A9C6Po, otherJavanese
꧇JAVANESE PADA PANGKATU+A9C7Po, otherJavanese
꧈JAVANESE PADA LINGSAU+A9C8Po, otherJavanese
꧉JAVANESE PADA LUNGSIU+A9C9Po, otherJavanese
꧊JAVANESE PADA ADEGU+A9CAPo, otherJavanese
꧋JAVANESE PADA ADEG ADEGU+A9CBPo, otherJavanese
꧌JAVANESE PADA PISELEHU+A9CCPo, otherJavanese
꧍JAVANESE TURNED PADA PISELEHU+A9CDPo, otherJavanese
꧞JAVANESE PADA TIRTA TUMETESU+A9DEPo, otherJavanese
꧟JAVANESE PADA ISEN-ISENU+A9DFPo, otherJavanese
𑂻KAITHI ABBREVIATION SIGNU+110BBPo, otherKaithi
𑂼KAITHI ENUMERATION SIGNU+110BCPo, otherKaithi
𑂾KAITHI SECTION MARKU+110BEPo, otherKaithi
𑂿KAITHI DOUBLE SECTION MARKU+110BFPo, otherKaithi
𑃀KAITHI DANDAU+110C0Po, otherKaithi
𑃁KAITHI DOUBLE DANDAU+110C1Po, otherKaithi
಄KANNADA SIGN SIDDHAMU+0C84Po, otherKannada
꤯KAYAH LI SIGN SHYAU+A92FPo, otherKayah Li
𐩐KHAROSHTHI PUNCTUATION DOTU+10A50Po, otherKharoshthi
𐩑KHAROSHTHI PUNCTUATION SMALL CIRCLEU+10A51Po, otherKharoshthi
𐩒KHAROSHTHI PUNCTUATION CIRCLEU+10A52Po, otherKharoshthi
𐩓KHAROSHTHI PUNCTUATION CRESCENT BARU+10A53Po, otherKharoshthi
𐩔KHAROSHTHI PUNCTUATION MANGALAMU+10A54Po, otherKharoshthi
𐩕KHAROSHTHI PUNCTUATION LOTUSU+10A55Po, otherKharoshthi
𐩖KHAROSHTHI PUNCTUATION DANDAU+10A56Po, otherKharoshthi
𐩗KHAROSHTHI PUNCTUATION DOUBLE DANDAU+10A57Po, otherKharoshthi
𐩘KHAROSHTHI PUNCTUATION LINESU+10A58Po, otherKharoshthi
។KHMER SIGN KHANU+17D4Po, otherKhmer
៕KHMER SIGN BARIYOOSANU+17D5Po, otherKhmer
៖KHMER SIGN CAMNUC PII KUUHU+17D6Po, otherKhmer
៘KHMER SIGN BEYYALU+17D8Po, otherKhmer
៙KHMER SIGN PHNAEK MUANU+17D9Po, otherKhmer
៚KHMER SIGN KOOMUUTU+17DAPo, otherKhmer
𑈸KHOJKI DANDAU+11238Po, otherKhojki
𑈹KHOJKI DOUBLE DANDAU+11239Po, otherKhojki
𑈺KHOJKI WORD SEPARATORU+1123APo, otherKhojki
𑈻KHOJKI SECTION MARKU+1123BPo, otherKhojki
𑈼KHOJKI DOUBLE SECTION MARKU+1123CPo, otherKhojki
𑈽KHOJKI ABBREVIATION SIGNU+1123DPo, otherKhojki
᰻LEPCHA PUNCTUATION TA-ROLU+1C3BPo, otherLepcha
᰼LEPCHA PUNCTUATION NYET THYOOM TA-ROLU+1C3CPo, otherLepcha
᰽LEPCHA PUNCTUATION CER-WAU+1C3DPo, otherLepcha
᰾LEPCHA PUNCTUATION TSHOOK CER-WAU+1C3EPo, otherLepcha
᰿LEPCHA PUNCTUATION TSHOOKU+1C3FPo, otherLepcha
᥄LIMBU EXCLAMATION MARKU+1944Po, otherLimbu
᥅LIMBU QUESTION MARKU+1945Po, otherLimbu
꓾LISU PUNCTUATION COMMAU+A4FEPo, otherLisu
꓿LISU PUNCTUATION FULL STOPU+A4FFPo, otherLisu
𐤿LYDIAN TRIANGULAR MARKU+1093FPo, otherLydian
𑅴MAHAJANI ABBREVIATION SIGNU+11174Po, otherMahajani
𑅵MAHAJANI SECTION MARKU+11175Po, otherMahajani
𑻷MAKASAR PASSIMBANGU+11EF7Po, otherMakasar
𑻸MAKASAR END OF SECTIONU+11EF8Po, otherMakasar
𐫰MANICHAEAN PUNCTUATION STARU+10AF0Po, otherManichaean
𐫱MANICHAEAN PUNCTUATION FLEURONU+10AF1Po, otherManichaean
𐫲MANICHAEAN PUNCTUATION DOUBLE DOT WITHIN DOTU+10AF2Po, otherManichaean
𐫳MANICHAEAN PUNCTUATION DOT WITHIN DOTU+10AF3Po, otherManichaean
𐫴MANICHAEAN PUNCTUATION DOTU+10AF4Po, otherManichaean
𐫵MANICHAEAN PUNCTUATION TWO DOTSU+10AF5Po, otherManichaean
𐫶MANICHAEAN PUNCTUATION LINE FILLERU+10AF6Po, otherManichaean
𑱰MARCHEN HEAD MARKU+11C70Po, otherMarchen
𑱱MARCHEN MARK SHADU+11C71Po, otherMarchen
𖺗MEDEFAIDRIN COMMAU+16E97Po, otherMedefaidrin
𖺘MEDEFAIDRIN FULL STOPU+16E98Po, otherMedefaidrin
𖺙MEDEFAIDRIN SYMBOL AIVAU+16E99Po, otherMedefaidrin
𖺚MEDEFAIDRIN EXCLAMATION OHU+16E9APo, otherMedefaidrin
꫰MEETEI MAYEK CHEIKHANU+AAF0Po, otherMeetei Mayek
꫱MEETEI MAYEK AHANG KHUDAMU+AAF1Po, otherMeetei Mayek
꯫MEETEI MAYEK CHEIKHEIU+ABEBPo, otherMeetei Mayek
𑙁MODI DANDAU+11641Po, otherModi
𑙂MODI DOUBLE DANDAU+11642Po, otherModi
𑙃MODI ABBREVIATION SIGNU+11643Po, otherModi
᠀MONGOLIAN BIRGAU+1800Po, otherMongolian
᠁MONGOLIAN ELLIPSISU+1801Po, otherMongolian
᠄MONGOLIAN COLONU+1804Po, otherMongolian
᠇MONGOLIAN SIBE SYLLABLE BOUNDARY MARKERU+1807Po, otherMongolian
᠈MONGOLIAN MANCHU COMMAU+1808Po, otherMongolian
᠉MONGOLIAN MANCHU FULL STOPU+1809Po, otherMongolian
᠊MONGOLIAN NIRUGUU+180APo, otherMongolian
𑙠MONGOLIAN BIRGA WITH ORNAMENTU+11660Po, otherMongolian
𑙡MONGOLIAN ROTATED BIRGAU+11661Po, otherMongolian
𑙢MONGOLIAN DOUBLE BIRGA WITH ORNAMENTU+11662Po, otherMongolian
𑙣MONGOLIAN TRIPLE BIRGA WITH ORNAMENTU+11663Po, otherMongolian
𑙤MONGOLIAN BIRGA WITH DOUBLE ORNAMENTU+11664Po, otherMongolian
𑙥MONGOLIAN ROTATED BIRGA WITH ORNAMENTU+11665Po, otherMongolian
𑙦MONGOLIAN ROTATED BIRGA WITH DOUBLE ORNAMENTU+11666Po, otherMongolian
𑙧MONGOLIAN INVERTED BIRGAU+11667Po, otherMongolian

See also#edit

Notes#edit

  1. ^ Encyclopædia Britannica: "Punctuation.
  2. ^ Byrne, Eugene. "Q&A: When were punctuation marks first used?". History Extra. BBC. Retrieved 14 February 2017.
  3. ^ a b Truss, Lynn (2004). Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation. New York: Gotham Books. p. 112. ISBN 1-59240-087-6.
  4. ^ a b Bazin, Hervé (1966), Plumons l'oiseau, Paris (France): Éditions Bernard Grasset, p. 142
  5. ^ Truss, Lynne (2003). Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation. Profile Books. ISBN 1-86197-612-7.
  6. ^ E. Otha Wingo, Latin Punctuation in the Classical Age (The Hague, Netherlands: De Gruyter, 1972), 22.
  7. ^ The Latin names for the marks are subdistinctio, media distinctio, and distinctio.
  8. ^ Parkes, M. B. (1991). "The Contribution of Insular Scribes of the Seventh and Eighth Centuries to the 'Grammar of Legibility'". Scribes, Scripts and Readers: Studies in the Communication, Presentation and Dissemination of Medieval Texts. London: Hambledon Press. pp. 1–18.
  9. ^ "00F1E2 COMMA POSITURA". MUFI: The Medieval Unicode Font Initiative.
  10. ^ Raymond Clemens & Timothy Graham, Introduction to Manuscript Studies (Ithaca–London: Cornell UP, 2007), 84–6.
  11. ^ "Paleography: How to Read Medieval Handwriting". Harvard University. Archived from the original on 8 December 2015. Retrieved 13 November 2017.
  12. ^ 林清源,《簡牘帛書標題格式研究》台北: 藝文印書館,2006。(Lin Qingyuan, Study of Title Formatting in Bamboo and Silk Texts Taipei: Yiwen Publishing, 2006.) ISBN 957-520-111-6.
  13. ^ The History of the Song Dynasty (1346) states 「凡所讀書,無不加標點。」 (Among those who read texts, there are none who do not add punctuation).
  14. ^ Historische Kommasetzung bei Luther, en: historical use of comma by Luther, Frank Slotta, for Prof Beatrice Primus, Landesprüfungsamt I NRW, 2010.
  15. ^ Truss, Lynne (2004). Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation. New York: Gotham Books. p. 77. ISBN 1-59240-087-6.
  16. ^ Truss, Lynn (2004). Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation. New York: Gotham Books. pp. 77–78. ISBN 1-59240-087-6.
  17. ^ Truss, Lynn (2004). Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation. New York: Gotham Books. pp. 112–113. ISBN 1-59240-087-6.
  18. ^ Iona and Peter Opie (1943) I Saw Esau.
  19. ^ MacKellar, Thomas (1885). The American Printer: A Manual of Typography, Containing Practical Directions for Managing all Departments of a Printing Office, As Well as Complete Instructions for Apprentices: With Several Useful Tables, Numerous Schemes for Imposing Forms in Every Variety, Hints to Authors, Etc (Fifteenth – Revised and Enlarged ed.). Philadelphia: MacKellar, Smiths & Jordan. p. 63.
  20. ^ See e.g. Morse code
  21. ^ Chelsea, Lee. "Punctuating Around Quotation Marks". APA Style. American Psychological Association. Retrieved 16 February 2017.
  22. ^ Bryan, Chloe (12 March 2019). "Why people leave a space before punctuation in texts". Mashable. Retrieved 10 June 2022.
  23. ^ Tetteroo, Jeroen (19 August 2015). "Designer's Style Guide to French Translation for Canada". LanguageSolutions. Retrieved 10 June 2022.
  24. ^ Put, Olga (26 February 2022). "What Is the Upside-Down Question Mark in Spanish?". Spanish Academy. Retrieved 10 June 2022.
  25. ^ "Punctuation in Different Languages". TranslateMedia. 11 July 2013. Retrieved 10 June 2022.
  26. ^ Prasoon, Shrikant (2015). English Grammar and Usage. New Delhi: V & S Publishers. pp. Chapter 6. ISBN 978-93-505742-6-3.
  27. ^ Haley, Allan (June 2001). "The Interrobang Is Back". fonthaus.com. Archived from the original on 7 May 2008. Retrieved 3 December 2010.
  28. ^ Revised preliminary proposal to encode six punctuation characters introduced by Hervé Bazin in the UCS by Mykyta Yevstifeyev and Karl Pentzlin, 28 Feb. 2012
  29. ^ "European Patent Office publication".
  30. ^ Australian Official Journal of Patents, 27 January 1994
  31. ^ CIPO – Patent – 2102803 – Financial Transactions Archived 2 October 2008 at the Wayback Machine
  32. ^ Brandon Specktor; Samantha Rideout (20 March 2019). "11 Little-Known Punctuation Marks We Should Be Using". Reader's Digest Canada.

References#edit

Further reading#edit

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